Maureen Tucker was a big Cale and Reed had already The album VU marks the transitional sound between the whisper-soft third album and the band's movement to the later pop rock song-style of their final record, Loaded. [44] The title track sets a harsh opening; bassist Cale overdubbing a piano that has been described as "a cross between Jerry Lee Lewis and Henry Cowell". Reed was twenty-three, strong as stainless steel, confident, and as ambitious The album was to peculiar for them, and they had just released Frank "Sweet Jane" and "Rock and Roll". on their side and that in Lala land they would find an environment freaky enough The Velvet Underground & Nico ist das Debütalbum der experimentellen Rockband The Velvet Underground mit der deutschen Sängerin Nico.Es wurde von Andy Warhol produziert und im März 1967 von Verve Records veröffentlicht. MacLise still behaved eccentrically with time and commerce and went by his own clock: for instance, he showed up half an hour late to one show and carried on with a half-hour of drumming to compensate for his late arrival, long after the set had finished.[17]. He was very frustrated over the thought that he was not the star in the band, since Andy Warhol and Nico got all the credits. Before work on their third album started, Cale was replaced by musician Doug Yule of the Boston group the Grass Menagerie, who had been a close associate of the band. Tomorrow's Parties Side2: Heroin / There She Goes Again / I'll Be Your Mirror / Black Angel's Death Song / European Son. The album was recorded primarily in Scepter Studios in New York City during April 1966, but for reasons unclear, some songs were rerecorded at TTG Studios in Los Angeles, along with the new song "Sunday Morning", later in the year with Tom Wilson producing. Cale had worked with experimental composers John Cage, Cornelius Cardew and La Monte Young, and had performed with Young's Theatre of Eternal Music, though was also interested in rock music. fan of African drum sounds and used to turn the bass-drum on the its side, and So she Morrisey: Andy the one thing Andy was good for - getting his name in the papers. $10.99. This quartet was first called the Warlocks, then the Falling Spikes. [30] Closing out the album was the avant-garde "The Black Angel's Death Song", followed by the lengthy, feedback-laden "European Son", which Reed dedicated to his Syracuse professor Delmore Schwartz. At seventeen she was the best model in Germany, and to seek When Andy Warhol came into the Cafe for the first What Warhol did qualified more as an executive input. For individual discographies, see articles for Lou Reed and John Cale, and main entries on Maureen Tucker and Doug Yule.. satisfied doing the show, because after all they had their songs that they would record. On July 18, 1988, Nico died of a cerebral haemorrhage following a bicycle accident. became a member of the midsixties most avant-garde music groups in the world, La Monte in Lou Reed. actively in the whole sensory experience. we`d just walk in and set up and did what we always did and no one would stop it because The Velvet were called an amphetamine band, which had no good reputation outside New York. Reed and Morrison recalled that their good friend Nico once said that Lou Reed never liked her because of what Voor 16:00 uur besteld, morgen in huis Levertijd We doen er alles aan om dit artikel op tijd te bezorgen. [71], Squeeze was released in February the following year, 1973, in Europe only, with minimal promotion by the label, and was held in low regard by fans and critics. «I`ll be your mirror» and «Femme Fatale» Sterling Morrison was a professor for some time, teaching Medieval Literature at the University of Texas at Austin, then became a tugboat captain in Houston for several years. Lou, don't you think you should think about it?' The band members objected to the billing (instigated by their tour manager); according to Yule, the promoter was not supposed to bill the band as the Velvet Underground. [45] Along with brash songs like "Sister Ray" and "I Heard Her Call My Name", there was the darkly comic "The Gift", a short story written by Reed and narrated by Cale in his deadpan Welsh accent. in the same year was too much for Verve/MGM, so the Velvet Underground and Nico album was not released until a year later, in March 1967. started rehearsing together at Tony Conrad`s Ludlow street apartment Bekannt wurde die Band als Gruppe von Protégées von Andy Warhol, der auch ihr erstes Album produzierte. In a retrospective way I really enjoy it. They were wrong. The Velvet Underground Experience will contain six films, 350+ photos, 1,000+ objects, and features projections that recreate the atmosphere of the banana album artwork produced by Andy Warhol. [46] Neither Morrison nor Tucker was happy with the idea, but faced with a choice of either no Cale or no band at all, the pair reluctantly sided with Reed.[7][47]. But the EPI stayed in LA for three While Reed had covered a vast range of lyrical subjects on the first two Velvet Underground albums, the lyrical themes of the third album were more "intimate" in nature. Her rhythms, at once simple and exotic (influenced by the likes of Babatunde Olatunji and Bo Diddley records), became a vital part of the group's music, despite Cale's initial objections to the presence of a female drummer. Genres: Experimental Rock, Art Rock, Proto-Punk. At the first rehearsals the band gave her a hard $8.99. Warhol`s art soon spilled into his own studio, a large fourthfloor loft on East 47th In 2011 music writer Steven Shehori included Squeeze in his "Criminally Overlooked Albums" series for The Huffington Post, and in a lengthy review of the album, offered the following positive assessment of Squeeze: "if you pluck it from the shackles of its murky back-story, Squeeze is nothing short of a quintessential listening experience. At Warhol's insistence, Nico sang with the band on three songs of their debut album, The Velvet Underground & Nico. and the Velvets were on stage singing about Heroin and S&M. Due to publicity around the release, and growing interest in the Velvet Underground in Europe, Sesnick was able to secure a single album deal with Polydor in the UK, and a handful of promotional shows were booked in the UK in November and December 1972. [full citation needed] They played shows for several months in New York City, then traveled throughout the United States and Canada until its last installment in May 1967. Other drum parts were performed by engineer Adrian Barber, session musician Tommy Castanaro, and Billy Yule (Doug Yule's younger brother), who was still in high school at the time. Sterling Morrison offered the following input regarding the recording: There was fantastic leakage 'cause everyone was playing so loud and we had so much electronic junk with us in the studio—all these fuzzers and compressors. Andy Warhol's Velvet Underground Featuring Nico Music Poster 24 x 33in 4.8 out of 5 stars 11. In addition, Reed and Morrison had purchased matching Fender 12-string electric guitars, but Doug Yule plays down the influence of the new equipment. these members was on December 11, 1965, at Summit High School. with Cale in La Monte Youngs band. The album features experimental performance sensibilities and controversial lyrical topics, including drug abuse, prostitution, sadomasochismand sexual deviancy. Shelley, a girlfriend The Velvet Underground continues to exist as a New York–based partnership managing the financial and back catalog aspects for the band members. On the other hand, Yule has pointed out that the album was for all intents and purposes finished when Reed left the band and that Reed had been aware of most, if not all, of the edits. Reed's last live performance with the band at Max's was informally recorded and was released two years later in 1972 as Live at Max's Kansas City, also on Atlantic Records. would say, Oh yeah! Before any of this could come to fruition, Cale and Reed fell out again, breaking up the band once more.[13]. Morrison's ringing guitar parts and Yule's melodic bass guitar and harmony vocals are used prominently on the album. The Story Behind The Velvet Underground's Most Iconic Album Cover One of Lou Reed's lasting legacies -- besides founding The Velvet Underground and introducing the world to the depths of feedback loops -- will forever be his impact on the way the world sees bananas. play in the EPI. the offbeat gay world. [68] Morrison's replacement was singer/keyboard player Willie Alexander. [56] Doug Yule sang the lead vocal on "Candy Says" (about the Warhol superstar Candy Darling), which opens the LP, and a rare Moe Tucker lead vocal is used on "After Hours", which closes the album, because Reed felt her "innocent" voice was more believable for a sad song. Presumably filmed in January 1966, it shows the group rehearsing for what was probably going to be their debut the following February at Film-Makers' Cinematheque. The harsh, abrasive tendencies on the first two records were almost entirely absent on their third album. of the above. Zappa and The Mothers of Invention`s album «Freak out». Because the very first thing I liked about Andy was that he was very Also at these appearances, the band often played an extended jam they had dubbed "Booker T", after musician Booker T. Jones. It is one of only two albums that I know of that names the cover designer rather than the band or the record’s title on the front (the other being Swedish band bob hund‘s 1996 LP … "Sesnick dumped the second iteration of the band in England with no money and no equipment and just left us there to find our way back. ", "A definitive list of the musicians who influenced our lives most", "DREAMWEAPON: The Art and Life of Angus MacLise, original Velvet Underground drummer", "The Coston Chronicles: Moe Tucker interview, 1997, part one", "Andy Warhol Biography: From The Velvet Underground To Basquiat", "Examinations: An Examination of John Cale", "John Cale on The Velvet Underground & Nico", "Words and Guitar: A History of Lou Reed's Music – Bill Brown – Google Books", "The Velvet Underground: Reissued 3rd Album Reviewed", "The Velvet Underground – Live performances and rehearsals – 1968", "The Velvet Underground – Doug Yule Part 1", "Doug Yule interview- Perfect Sound Forever", "The Velvet Underground – The Lowdown on Loaded", "The Velvet Underground – Doug Yule Part 8", "The Velvet Underground – Live performances and rehearsals – 1971–73", "Velvet Underdog: Sterling Morrison: An Oral History With Interviews", "Criminally Overlooked Albums: Squeeze by Doug Yule's Velvet Underground | Steven Shehori", "Squeeze's Chris Difford on England, John Cale, and the Paul McCartney-Produced Record That Never Came to Be | Phoenix New Times", "The President and Mrs. Clinton Honor His Excellency V(á)clav Havel, President of the Czech Republic and Mrs. Havlov(á)", Transcript of President's Clinton's remarks, "Velvet Underground recall links to Warhol", "Velvet Underground moves to protect Banana Album design | Music | guardian.co.uk", "The Velvet Underground Sue Andy Warhol Foundation Over Banana Image", "Lou Reed, Velvet Underground Leader and Rock Pioneer, Dead at 71", "Here's Velvet Underground Co-Founder John Cale's Reaction To Lou Reed's Passing", "The Velvet Underground's John Cale and Moe Tucker Reunite: Watch", "Rolling Stone's 500 Greatest Albums of all time (2012 Edition)", "100 Greatest Artists: 19 – The Velvet Underground", "Robert Christgau: CG: The Velvet Underground", Andy Warhol's Velvet Underground Featuring Nico, The Best of The Velvet Underground: Words and Music of Lou Reed, The Best of Lou Reed & The Velvet Underground, The Best of The Velvet Underground: The Millennium Collection, Ten Portraits of Jews of the Twentieth Century, The Velvet Underground and Nico: A Symphony of Sound, The Autobiography and Sex Life of Andy Warhol, https://en.wikipedia.org/w/index.php?title=The_Velvet_Underground&oldid=992993984, Grammy Lifetime Achievement Award winners, Articles with failed verification from January 2018, Wikipedia indefinitely move-protected pages, Articles needing additional references from March 2019, All articles needing additional references, Articles with incomplete citations from February 2016, Articles with unsourced statements from May 2016, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from May 2016, Articles with specifically marked weasel-worded phrases from February 2017, Articles with unsourced statements from February 2017, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Articles which contain graphical timelines, Creative Commons Attribution-ShareAlike License, Studio demo of two songs, "She'll Make You Cry" and "Friends" (as yet unreleased), Group interview at the New York Public Library, This page was last edited on 8 December 2020, at 06:00. Another factor in the change of sound was the band's Vox amplifiers and assorted fuzzboxes were rumored to have been stolen from an airport while they were on tour and they obtained replacements by signing a new endorsement deal with Sunn. rock`n`roll and withdrew from the band. It has kind of a naivety about it."[76]. According to Michael Carlucci, a friend of Robert Quine, "Lou told Quine that the reason why he had to get rid of Cale in the band was Cale's ideas were just too out there. He also said, "I left them to their album full of hits that I made". Stephen Thomas Erlewine notes that the album received "uniformly terrible reviews" upon initial release,[72] and in the early 1970s, the NME Book of Rock counted it as "a Velvet Underground album in name only". The rest of the recordings, as well as some alternative takes and instrumental tracks were later bundled on Another View which was released in 1986. just sat there and said, Oooh that`s fantastic, and the engineer later on. The foundations for what would become the Velvet Underground were laid in late-1964. He helped the band secure a recording contract with MGM's Verve Records, with himself as nominal "producer", and gave the Velvets free rein over the sound they created. Warhol. The meditative "Here She Comes Now" was later covered by Galaxie 500, Cabaret Voltaire, and Nirvana, among others. Nico to Andy Warhol. [35] Instead of compensating Emerson for damages, MGM Records canceled all distribution of the album for nearly two months until the legal problems were settled (by which time the record had lost its modest commercial momentum), and the still was airbrushed out of the remaining copies of the album. He also took a job Reed moved into Tony Conrad`s apartment at the Lower Reed also started with drugs at products of the 1950`s, who prepared to take jobs as accountants and lawyers. bonded not only by a musical vision and youthful anarchy, but also within the secret society of heroin users. With John Cale, Gerard Malanga, Sterling Morrison, Billy Name. Just do the best you can." Disillusioned with the lack of progress the band was making, and facing pressure by manager Steve Sesnick, Reed decided to quit the band during the last week of the Max's Kansas City shows in August 1970. [69] In late May 1973, the band and the tour manager parted ways, thus bringing the Velvet Underground to an end until the classic line-up of Reed, Tucker, Morrison and Cale would reunite in the 1990s. to embrace their far-out sounds. Before that, Cale and Nico had developed solo careers. Verenigde Staten Rock Label: Polydor. For the self-titled albums see. Jim Tucker had a sister Maureen, who played the drums. He was trying to make the band more accessible. Artwork page for ‘The Velvet Underground & Nico’, Andy Warhol, The Velvet Underground, 1967 on display at Tate Modern. movies in a rock`n`roll context. In December 2009, to commemorate the 45th anniversary of the band's formation, Reed, Tucker and Yule (with Cale not present) gave a rare interview at the New York Public Library.[80]. [31] Although Cale was the band's usual bassist, if he switched to viola or keyboards, Morrison would normally play bass. He had to go through a six-week treatment at the hospital. [12] Young's use of extended drones would be a profound influence on the band's early sound. The band's integration of rock and the avant-garde achieved little commercial success during its existence, but it is now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. before. "Angus was in it for art", Morrison reported.[11]. wanted. The environment at the Lower East Side was a community full of He had big influence on rehearsed constantly, working on new arrangements, determined to transfer as much of their unique sound to vinyl as possible.

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